Bryan Jernigan: I grew up in Southwest Oklahoma and attended a public school that was so small we didn’t have high school-level art classes. It wasn’t until I attended undergraduate school at Oklahoma State University that I had formal art training. I graduated from graduate school at Drake University in Des Moines, IA, and while I mastered in communications, all my elective courses were in studio art.
I was very positively impacted by the Washington Color School well before I moved to Washington, D.C. in 1990, and I was privileged to meet and befriend Sam Gilliam, a second-generation Washington Color School painter early on in my artistic career.
I was commissioned by the City of Alexandria to create 50 unique pastel landscapes for an artistic promotion program pre-pandemic and recently, I was commissioned through the Art League to create five oversized paintings for a new-construction condominium community overlooking the Potomac River.
Color is the root of all my paintings. Invented color schemes, interlocking organic forms, and decisive brushwork characterize my work. It comes from a place deep inside. While a bit unconventional, my process has always been to work in one medium (say, pastel landscapes) and then cycle into another (say, acrylic abstraction). I find that one medium takes a certain amount of concentration and then the other allows me to be freer and expressive.
When I am not creating work, I like to foster creation in others by doing demonstrations, teaching workshops and classes. I’ve taught abstract painting classes and workshops for the Art League of Alexandria, Arlington Artists Alliance, Falls Church Arts, Vienna Arts Society, Capitol Hill Art League, PaintSpace NOLA in New Orleans and Hudson River Valley Art Workshops, among others. At the Arlington Artists Alliance, I’ve also served on the board of directors for seven years and for four years as the president of the organization. I’ve taught pastel landscape and still life workshops for many arts organizations regionally, nationally and internationally, taking groups of students to France, Scotland and Mexico, for immersive pastel painting experiences.